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10/20/2012
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Toru Takemitsu Composition Award
Framework of the Award
The orchestral
composition competition will take place in 2012, 2013, 2014 and 2015. Young
composers from all over the world are urged to submit their newly created works
during their preferred competition year (may enter multiple years).
Judges
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Judgement
|
Preliminary
Screening:
The judge will screen the submitted scores and select a certain number of
works to be performed.
Final Selection: Those works selected during the
preliminary screening will be performed in concert at the Tokyo Opera City
Concert Hall: Takemitsu Memorial, and the year's award will be decided by the
judge following the performance (see [Final Concert and Other
Information]). |
Award
|
Cash
Award: Cash
Award: the total sum of 3,000,000 Yen, each year.
The judge may withhold the prize (i.e. in absence of a suitable entry) or divide the prize among multiple entries. The composers whose works are selected to be performed at the final selection will be invited to attend the concert. |
Competition Procedure
Eligible scores
|
Compositions
for orchestra in any format except concerto, within the following
instrumentation and to be performed with one conductor.
Scores that have been published, performed in public concert or commercially recorded are not eligible. |
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Instrumentation
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Maximum;
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Duration
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No
shorter than 10 minutes nor longer than 20 minutes.
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Qualified
applicants |
Any person, regardless of
nationality, who is not over 35 years old at the end of the year his / her
application is submitted. |
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Application
Deadlines |
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How to apply
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Please submit 2
copies of the bound score, together with a completed entry
form to the following office by the above deadlines.
*If you cannot open
application form (PDF file), please try saving it:
Tokyo Opera City Cultural Foundation 3-20-2 Nishi-Shinjuku, Shinjuku-ku, Tokyo 163-1403 , JAPAN Tel ; +81 3 5353 0770 Fax ; +81 3 5353 0771 |
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Entry fee
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Free
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Further remarks
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Final Concert and Other Information
Final Concert
Dates
|
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Performers
|
The
conductor and orchestra to perform the final selections each year will be
designated by Tokyo Opera City Cultural Foundation.
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Selected
composers
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Performing
materials
|
Performance
materials of the selected scores will be prepared by and be afterwards kept
in the custody of Tokyo Opera City Cultural Foundation. In the case the
materials for a selected score are made up by the composer's publisher, Tokyo
Opera City Cultural Foundation will be offered the use of such materials for
the performance for a reasonable rental fee to be determined by mutual
agreement.
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FRANCO DONATONI’ INTERNATIONAL MEETING FOR YOUNG COMPOSERS
THIRD
EDITION
JUNE 2014
MUSIC FOR
ENSEMBLE,
DANCE AND
LIVE
ELECTRONICS
DEADLINE
30 NOVEMBER
2012
Divertimento
Ensemble and its artistic director
Sandro
Gorli are pleased to announce the third
edition of
the “Franco Donatoni” International
Meeting for
Young Composers, which will be held in
Milan in
the first two weeks of June 2014.
Applications
to take part in the Meeting can be
submitted
by composers born after 1st January 1977;
nationals
of any country can apply by sending one or
more scores
for an ensemble of between 5 and 12
musicians,
to be received by 30th November 2012.
By 15th
February 2013 an international jury of five
composers
(Beat Furrer, Sandro Gorli, Michael Jarrell,
Bruno
Mantovani, Alessandro Solbiati) will select three
compositions
to be performed in Milan during the
Rondò 2013
season. The three winning composers will
be then
commissioned to create a chamber
composition
(for seven musicians, one or two dancers
and live
electronics). The three original works will be
performed
during the third edition of the “Franco
Donatoni”
International Meeting for Young Composers,
as part of
the Rondò 2014 season.
The selected
composers - who will have delivered the
score and
the parts within the date specified in the
regulation
- will stay in Milan for the entire period of
the
rehearsals and will work in close contact with the
musicians
of the Divertimento Ensemble.
www.divertimentoensemble.it
The
activities of Divertimento Ensemble with the support of
are
supported by
Cultura
with the
support of the Culture Programme
of the
European Union
RULES
1.
Composers of any nationality, born after 1st
January
1977 are eligible for selection for the
“Franco
Donatoni” International Meeting for
Young
Composers. Those participating in the
application
process can submit one or more
compositions
for an ensemble of between 5
and 12
performers. Five copies of each
composition
should be sent.
2.
Divertimento Ensemble should receive all
scores by
30th November 2012 at the
following
address: Via Poggi 7, 20131 Milano,
Italy. Each
score must have an attached
filled-in
application form (available on
www.divertimentoensemble.org/download/Do
natoni2014_eng.pdf),
a copy of an ID
document
that proves the applicant’s birth
date, as
well as a receipt for the 50 euro
enrollment
fee (for each score sent). The
receipt
must list the Divertimento Ensemble’s
bank
account: Banca Intesa San Paolo, IBAN
IT44H0306909509000018689145,
BIC/SWIFT
BCITITMM.
3. Original
scores and scores that have
already
been published and/or performed are
equally
eligible. They should not be
anonymous.
If possible, they should be
accompanied
with a CD of the performance.
4. An
international jury of five composers
(Beat
Furrer, Sandro Gorli, Michael Jarrell,
Bruno
Mantovani, Alessandro Solbiati) will
select by
15 February 2013 the three
composers
who will be invited to take part in
the
International Meeting. The selected
composers
will be personally informed, and
the
selection will also be published on the
Divertimento
Ensemble website by 16
February
2013.
5. The
three chosen scores will be performed
during the
Rondò 2013 season in Milan.
6. Each of
the three selected composers,
whose work
will be performed during the
Rondò 2013
season, will be invited to write a
15 minutes
chamber composition for an
ensemble of
at most 7 musicians (flute, oboe,
clarinet,
percussion, piano, violin, cello), one or
two dancers
and live electronics (ad libitum).
7. The
score and the parts must be delivered
by 30
November 2013.
8. The
three works will be performed in June
2014 in Milan during the third edition of
the
“Franco
Donatoni” International Meeting for
Young
Composers, as part of the Rondò 2014
season.
9. The
three composers will take part in the
rehearsals
run by the Divertimento Ensemble,
working in
close contact with the musicians,
the
conductor and the dancers.
10. The
three composers, if they come to
Milano and
attend the rehearsals, will be
entitled to
a reimbursement of € 1,000. Travel
costs will
be met by them.
11.
Application for participation in the
International
Meeting imply the unconditional
acceptance
of these rules. Any dispute will be
resolved
exclusively by the Tribunal of Milan.
For information:
Divertimento Ensemble
via Poggi 7 - 20131 Milano
tel +39 02 49434973,
cell +39 334 1732400
info@divertimentoensemble.it
www.divertimentoensemble.it
Call for Applications for the 6th International Composition Seminar
»Past, present and future are, as you know,
bound to the procedure of
successiveness merely by their appearance as
cosmic time. In our cognitive
reality, however, this succession does not
exist, possessing a truer reality
than the well-acquainted clock, which basically
indicates nothing else
then the fact that there is no presence in a
strict sense. Time bends itself
into a spherical shape. From within this notion,
[…] I developed my […]
pluralistic compositional technique, which takes
the multiple layers of our
reality into account.«
(Bernd Alois Zimmermann, 1918-1970)
Music and Time is the theme of IEMA’s next
International Composition Seminar,
which – directed by the Ensemble Modern and the
composer and conductor Johannes Kalitzke
– will then be taking place for the sixth time
in 2013.
In Europe, the seminar is still unique in its
bipartite structure:
In a first »try-out« phase, the compositional
ideas, developed for the seminar, sound concepts
and technical approaches will receive two days
of rehearsal and discussion together with
Ensemble Modern and one day together with both
Ensemble Modern and
hr-Sinfonieorchester. Intensive work sessions
will offer the explicit opportunity, to rehearse
only parts of the newly developed or still
nascent compositional ideas or sound visions.
In the second phase, ideas and insights gained
during the first phase are incorporated in the
new pieces; the works are completed. After a
rehearsal phase that also leaves room for
exchange and discussions, the new works see
their premiere.
The International Composition Seminar 2013 and
its two final concerts are integrated into the
second edition of the festival cresc… Biennale
für Moderne Musik which takes place between
21st and 24th November 2013 in Frankfurt and
Darmstadt.
Through the cooperation with the Frankfurt Radio
Symphony Orchestra, hr-Sinfonieorchester,
the International Composition Seminar will again
be giving the opportunity to work together
with a large orchestra.
The seminar will be offering 4 assignments of
works for ensemble and 2 assignments of works
for orchestra and ensemble.
The guiding theme is connected to the festival
theme of cresc… 2013. Under the topic »Music
and Time«, the work and mindscape of composer
Bernd Alois Zimmermann are brought into
focus and contrasted with current approaches to
the topic.
The festival is a joint undertaking of the
partners Ensemble Modern, Hessischer Rundfunk, Alte
Oper, Internationales Musikinstitut Darmstadt,
Institute of Contemporary Music at the
Frankfurt University of Music and Performing
Arts and Staatstheater Darmstadt.
Composers interested in this project are invited
to participate.
Project periods:
15th – 17th February 2013
17th – 25th November 2013
(compulsory attendance without exception)
1st Phase: 15th – 17th February 2013 in Frankfurt
In this first of two phases, the compositions
and ideas developed during the seminar will
receive two days of rehearsal and discussion
together with Ensemble Modern and one
day together with both Ensemble Modern and
hr-Sinfonieorchester. Intensive work
sessions will offer the explicit opportunity, to
rehearse only parts of the newly developed
or still nascent compositional ideas or sound
visions.
2nd Phase: 17 th – 24 th November 2013 in Frankfurt and
Darmstadt
Ideas and insights gained during the first phase
can be included into the pieces and the
material is completed before for the second
phase (until 1st October 2013). This rehearsal
phase that also leaves room for exchange and
discussions, will result in concerts during
the festival cresc... (21 th -24th November
2013).
Final concerts:
21th – 24th November 2013 during the festival
»cresc… Biennale für Moderne Musik Frankfurt
Rhein Main«, to be recorded by hr2-kultur.
Age limit:
approx. 35 years
Closing date for entries:
9th September 2012
Notification of results:
Until 1st October 2012. Following the nomination
of participants and the assignment of the
compositions for ensemble or orchestra plus
ensemble, all participants will be informed about
the exact instrumentation and other relevant
conditions.
IEMA covers: travel (within Europe) and
accommodation in Frankfurt
Application documents:
Detailed CV, 1-2 scores (also as PDF if
available), not older than 2 years, one work for ensemble,
optionally one score for orchestra, optionally
recordings (CD or digital), a short text regarding
your compositional ideas on »Music and Time«.
Please send your documents to:
Internationales Kompositionsseminar
c/o Internationale Ensemble Modern Akademie
Schwedlerstraße 2-4
60314 Frankfurt
Germany
email: akademie@ensemble-modern.com
Application documents cannot be returned.
Contact and further Information:
Internationale Ensemble Modern Akademie
Christiane Engelbrecht
email: engelbrecht@ensemble-modern.com
cresc... Biennale für Moderne Musik
Gesine Otto
email: otto@ensemble-modern.com
www.internationale-em-akademie.de
www.ensemble-modern.com
www.cresc-biennale.de
Suscribirse a:
Entradas (Atom)
BIENVENIDOS!
Este espacio está destinado a crear un contacto entre instrumentistas que quieran tocar y compositores que tengan posibilidades de presentar sus obras y requieran músicos para ejecutarlas. Para hacer realidad este vínculo hemos creado este blog donde pueden registrarse instrumentistas (en la lista de jovenes músicos), y compositores (en la lista de compositores argentinos) . Asimismo, estos últimos pueden subir sus obras (partitura y/o grabación) para que los interesados las conozcan y se promueva la ejecución de las mismas.
Para subir sus obras envíenlas a compositoresargentinos@yahoo.com.ar y serán subidas a la brevedad.
Recomendamos a todos los creativos registrar sus obras antes de subirlas a la red.
Para subir sus obras envíenlas a compositoresargentinos@yahoo.com.ar y serán subidas a la brevedad.
Recomendamos a todos los creativos registrar sus obras antes de subirlas a la red.
¿COMO SE REGISTRA UNA OBRA MUSICAL?
En el Registro Nacional del Derecho de Autor se registran varias cosas, no solamente obras musicales(por ej también se registran, pinturas, esculturas, coreografías, programas de TV, software etc.), pero en lo que hace a nuestra actividad musical lo que nos interesa es para qué registrar una obra y cómo se hace?.
Que es lo que se registra? . Se registra la Obra Musical en general, que puede comprender música y letra o música solamente , o letra solamente.
Donde se hace? en SADAIC. sito en Lavalle 1547 de la ciudad de Bs As o en delegaciones del interior del país . En La Plata hay una delegación en calle 11 nº 1074.El trámite es personal y se hace con un formulario A (10 pesos) si se registra Música ó Letra, y en un formulario B (16 pesos) si se registra Música y Letra.
Como es el trámite? El trámite es personal y se debe presentar el formulario que allí se compra completo junto con una copia de la obra en sobre cerrado y lacrado. En el cierre del sobre debe firmar el autor. . En el caso que sean varios autores todos deben firmar el sobre y el formulario.La protección que otorga este trámite es válida por tres años. Luego de transcurrido este tiempo puede renovarse el registro. Para proceder a la renovación en lugar de copia de la obra, debe presentarse el certificado de inscripción otorgado oportunamente.La duración del trámite es de 48 hs.
Que es lo que se registra? . Se registra la Obra Musical en general, que puede comprender música y letra o música solamente , o letra solamente.
Donde se hace? en SADAIC. sito en Lavalle 1547 de la ciudad de Bs As o en delegaciones del interior del país . En La Plata hay una delegación en calle 11 nº 1074.El trámite es personal y se hace con un formulario A (10 pesos) si se registra Música ó Letra, y en un formulario B (16 pesos) si se registra Música y Letra.
Como es el trámite? El trámite es personal y se debe presentar el formulario que allí se compra completo junto con una copia de la obra en sobre cerrado y lacrado. En el cierre del sobre debe firmar el autor. . En el caso que sean varios autores todos deben firmar el sobre y el formulario.La protección que otorga este trámite es válida por tres años. Luego de transcurrido este tiempo puede renovarse el registro. Para proceder a la renovación en lugar de copia de la obra, debe presentarse el certificado de inscripción otorgado oportunamente.La duración del trámite es de 48 hs.
Contactate con nosotros
Para enviar archivos/fotos/textos extensos hacerlo a
ypettoruti@hotmail.com
Juan Pablo
www.contemporutti.de
ypettoruti@hotmail.com
Juan Pablo
www.contemporutti.de